Showing posts with label Hollywood box-office. Show all posts
Showing posts with label Hollywood box-office. Show all posts
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Hollywood Movie Review: The Conjuring

The Conjuring
Everyone on Facebook and Twitter are talking about how they screamed and shouted to their lungs as they got hooked up to the horror flick The Conjuring. Directed by James Wan, the film tells the story of paranormal couple Ed and Lorrain Warren (Patrick Wilson and Vera Farmiga) who were asked to help a family that's been under an evil speel in a secluded farmhouse. The couple did not know that they were about to face the most "horrifying case of their lives."

Critics were all praises for the plot and for the film's director.

Cath Clarke of Time Out wrote: "Wan builds mounting dread with silence and suspense, lingering the camera unsettlingly long here, creaking a door there."

Meanwhile, New Yorker's Bruce Diones hailed Wan for building "many bumps in the night into a small Hitchcockian symphony of terror by way of long, eerie tracking shots, dramatic silences, and sudden scares that are frighteningly immersive.

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Hollywood Box Office: The Butler Grosses $25 million on its opening day, lands top spot

"The Butler" opens at the top of box office: estimates (via AFP)
"The Butler," about an African American who watches civil rights history in the making as a White House butler, debuted at the top of the North American box office, estimates showed Sunday. Directed by Lee Daniels and starring Forrest Whitaker in the…

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Hollywood Movie Reviews : Star Trek into Darkness earns certified fresh reviews from Rotten Tomatoes


Star Trek Into Darkness
The J.J. Abrams-directed sci-fi action flick garnered “certified fresh” reviews from Rotten Tomatoes. While some critics panned the twelfth installment of the long-running Star Trek franchise because it lacked the thrill that its other predecessors are known for, still, a lot of reviews hailed into Darkness for its “action-packed popcorn flick with witty dialogue and enough references to Trek lore to (mostly) placate diehards.”

Christopher Orr of The Atlantic was quick to point out that just like its predecessors, the latest Star Trek still “ruminates loudly, if never very coherently, about war and peace, vengeance and justice, preemptive attack and negotiated settlement,” praising the cast for the excellent performance.

While Orr appreciates the film’s very Star-Trecky scenes where every runs after one another, then falls and fights, the critique does not appreciate the soap operatic vehicle, where “Enterprise crew are merely bickering and bantering among themselves.”

J.R. Jones of Chicago Reader noted that the film lacked the actual “sci-fi” element that was so present in preceding Star Trek movies. He added :
“…though you might enjoy watching the skinny young actors approximate their counterparts from the 60s; Chris Pine is especially good as Captain Kirk.”
“Happily, there's a good deal of fun if you like things crashing violently into each other and out of warp-drive at regular intervals.”
Mick LaSalle of Hearst Newspapers lightly treated the film and wrote:
“For all its chasing and falling and fighting-and the movie supplies a great deal of each-Star Trek Into Darkness is at its best when the Enterprise crew are merely bickering and bantering among themselves: less space opera than soap opera.”
“While the action is often electric, it's the relationships that matter. That, and a lippy regard for a cultural legacy.” 
All in all, the film garnered positive reviews for the stellar cast, sci-fi magic and everything high-tech and outworldly that this film has to offer. What do you expect? The mere mention of Star Trek makes you wanna think of exploring the outer space. Image source: Huffington Post.

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Hollywood Box Office : Iron Man 3 passes the 1 billion-dollar mark

Iron Man 3 passes the $1 billion mark.
Iron Man 3 has already grossed more than $1 billion at the worldwide box office Thursday, making one of the very few films to have crossed that mark.

The third installment of the highly successful franchise grossed over $700 million in the international market and raked over $300 million in the U.S., making it a major triumph for Disney.

The company invested heavily on comic book superheroes after buying Marvel Studios for a whopping $4 billion in 2009.

Disney’s decision to cast a Chinese partner for Iron Man 3 and focus the marketing on a largely booming international market all paid the studio efforts well.

The Robert Downey, Jr.-starred captured the biggest opening day ever. In the international market, it earned more than $100 million in China, making it the movie’s biggest market.

Korea ($56 million), U.K. ($49 million), Mexico ($43 million), Russia ($39 million), Brazil ($38 million), France ($36 million) and Australia ($33 million) followed suit.

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